veiling.

Jordan laughed at me over bubble tea; my depiction of the plateau was pretty bleak. And he had a point: jumping off is futile, unless you have a damned good pogo stick, and even then, you're still going down. Better to propel up, he said. Now I've gotta go invest in an ice pick. Or I could just grow some intense cat claws. Kidding.
(I've gotta stop with the cat jokes/references; people are gonna start thinking I'm serious).

Old-school Southeast Engine's on repeat and everything's still. Nattada and I feasted on steamed, local spaghetti squash tonight. I don't think I've ever made a better marinara sauce--chocked full of amaranth. We had peas, too. I love peas.

Food is funny. When shared communally, or consumed with gratitude, there is almost something sacred to it. And there is nothing more rewarding--nothing that requires more patience--than growing your own. Sometimes I get lost in looking at my own hands, in imagining my skin--the creases at the knuckles--shaping and shedding and replacing with each new amino acid I swallow.

I should make a self-rule to focus on my hands more--to take time to consciously imagine my food converting to energy--my breath to spirit--within the confines of my own body. Because sometimes I get caught up reading old words and staring at old photographs until I can't recognize my own voice--my own face--in them. And I think it's a loss but it's a pseudo-loss; I'm rendered a fool by my own veiling.

I won't know the difference until I begin to honor stillness. Sometimes contentment is a euphemism for apathy, but not always. Sometimes contentment is just as imperative as the discontentment sparking revolutions--both internal and external. Yes, contentment, too, can be revolutionary. Stillness can be revolutionary.

And in recognizing this, I can stop worrying altogether about how to get off the damned plateau: by laying on my back and being flat--watching the scenery around me shuffle, as I stay motionless.

veiling. by Leslie Albanese is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.

"if I could go back-ways" get you no-ways fast.

Sometimes, funny things haunt me--like shoe strings; sometimes shoe strings haunt me. Like Cat Steven's Trouble haunts me. Like Gumby and putt-putt golfing haunt me.

Sometimes, I am afraid of losing faces. Other people's faces. I can always recognize them. I never forget. But I can't close my eyes and create the isolated image. And somehow I feel like this is losing. This is losing faces.

Sometimes I remember belonging to the Communion of Saints. Before my experience of agency complicated my understanding of fatalism. Before the two became incongruous. I remember when doubt was more consolable. When faith was easier. And sometimes I swear I still do belong. Sometimes, when I think or feel or love strongly enough, I swear I hear echos from all around that are not my own. And I know. I know it's the Community of Saints.

Sometimes poetry is laughable. And sometimes poetry is laughing at me. (For not believing in masks// For self sacrifice// For causes).

Sometimes I laugh at myself.

Sometimes oatmeal makes everything better.

But most of the time it takes more. More than oatmeal. More than peppermint and honey. More than immersion in a safe place with safe things-- until contentment and discontentment become simultaneously and increasingly necessary; the former at an immediate, personal level; the latter at a macro-political level.

"No amount of 'if-I-could-go-back-ways' gets you back-ways," they say.
And I say: Oh, God, where are my boxes?



no-ways fast. by Leslie Albanese is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.

I am here (and have temporarily abandoned abstractions).

I have been up at or before 8:00, since I've returned to Athens. It doesn't seem to matter what time I go to sleep. I wouldn't call it insomnia, really; I'm not laying, exhausted; I'm alert and energized. If anything, my mind's restless, but it's the good kind of restless that just needs the right creative channel.

Call it artistic inspiration? But I'm no longer daunted.

I've got some leads on programs for a year (or two) of service. And I know it's what I need. I'm appreciative of academia, in a way; despite my distaste for some of the bureaucratic roadblocks and elitist behaviors of this institution, I really am grateful to OU. I say all the time how grateful I am for Athens and for Appalachia and how I really couldn't give two cents about the university, but that's not entirely accurate. It has provided the venue. It has led me to a handful of really inspiring professors--Dr. Marciniak, Dr. Bloomfield, and Dr. Duschinski--who have radically transformed the way I approach knowledge (I have nothing but unwavering respect and admiration for those three women), like it has led me to the theories and texts that have becomes "ins" to my own, independent research. And so: I reject being the "poster child" of academia, but I do not reject academia. I know I'll spend a lifetime monitoring and curbing my own privilege, but I can't keep running from something inevitable (that I'm meant to be in academia, that I thrive in it, that I'll be involved in it--in some way or another--all my life), just because I'm disenchanted with the large-scale structural inequalities that have given me this path in the first place. I can't run Into The Wild. Not because I'm incapable of discarding possessions, of living a simple lifestyle... but because I really think I'll make a bigger difference if I work with, and not against, the existing institutions, if I change them from the inside.

But not now. Not yet. I refuse to go through motions. I'm not ready for an MA and I'm not ready for a PHD and I'm not ready for a Law degree. I can't enter those realms of learning the same person I am now. No, it's essential to take a break--and what better way to do that than a year or two of service? There's an innate selfishness that accompanies being a student; it's a time where one's time and energy is focused, primary, in the development of self. And that's not necessarily wrong; that self development facilitates later ability to give more, to do more, to contribute more to society--
but right now, for me, I find it isolating. And I'm ready to integrate myself back into a world I can feel, one that I know I'm not the center of. So there you have it: a few years of service. That's what comes next. I'm sticking to it.

And all this excess, "restless" energy? It's going to get me through this final stretch healthily.

Here's my (immediate) plate:
1. Thesis.
2. Capstone--on sexual violence against women (I am not really excited about that).
3. One last English class--on Keats, by a Keats PHD, so it'll be angsty, but beautiful. (I am excited about that).
4. Program statements of purpose/applications.
5. Internship with Adam Baker, Attorney and Counselor at Law
6. GRE in Spring (so I don't have to take it later).
7. A year of service abroad--right now, I'm leaning toward a program in Ecuador.
8. = improving my Spanish skills, which are, at this moment, quite rusty (but still there).
9. LSAT studying while in Ecuador.
10. Then a year in DC, doing service in my own country.
11. Then a MA, a degree in Human Rights Law, or both--depending on what the aforementioned experiences lead me to.

And here are my intentions:
1. To be a better listener.
2. To maintain better communication with my brother, and with all my loved ones who are not in close, physical proximity.
3. To balance my Pitta with lifestyle and diet changes--beginning with a detox/cleanse.
4. To further my yoga practice, which, like my Spanish, is quite rusty (but still there).
5. To practice more humility.
6. To remain thankful.
7. And to, despite all the sad things in this world, find enough to hope for to keep going.

steady. strong. unwavering.


I am here by Leslie Albanese is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.